Abstract art is one of the forms of expression that generate the most interest in art. This is because it uses a large number of elements, such as color, shape, lines, or textures. Its popularity was on the rise for much of the 20th century, remaining in force to this day. Geometric abstraction is one of the many aspects of abstract art, which is characterized by the use of different geometric shapes, organized in a “logical” way, to recreate a certain shape.
Technically, the works composed with a style similar to that of geometric abstraction are arranged so that they do not represent entities or objects that can be palpable in reality. It should be noted that, in the same way, the artists who defend this peculiar expression maintain that they seek to make it something universal and, above all, objective, through the rational use of the different neutral and simple forms; In addition, they maintain that the lines give the work a delicate, clear tone with cold precision. Its most important precursor was Wassily Kandinsky, a Russian painter who moved around Europe exposing the artistic virtues that abstraction brought with it.
Its antecedents include Suprematism, a movement promoted by the Russian artist Kasimir Malevich, around 1915, whose most outstanding characteristic was the reduced range of shapes and colors used to make the paintings; it was called "one of the purest forms of abstract art." Likewise, Neoplasticism, which dares Piet Mondrian as the maximum exponent, stood out for decomposing the form of what only the most basic silhouettes were to represent, with primary colors; one of the most famous phrases of the aforementioned artist, dictates: "Every true artist has always been unconsciously moved by the beauty of the line, the color and the relationships between them, and not by what they are capable of representing."
