Work of art is the result of the work and creativity of artists. They are works of art, for example, a musical composition, a play, a painting, a poetry, a sculpture, etc. Works of art are always concretions of all the knowledge that the artist has about his time.
A work of art, therefore, is a product that conveys a sensible idea or expression. It is about the creation that expresses the intention of an artist.
Artistic achievements are always marked by personal style and show the artistic evolution of their creators. The exhaustive study of works of art allows critics and theorists to determine the different evolutionary moments and sudden changes in the artists' style.
In a specific sense, the work of art is seen as the creation of an artist, however, art goes beyond and, above all, art that transcends place and time. In universal history it is observed that works of art have certain attributes that define them as art and that differentiate them from other creative expressions such as design, crafts or decorative arts.
Since the origins of humanity, the human being naturally expresses and relates to others using their five senses, using communication tools and different media where art has been present. In fact, in history we see that art arose before the alphabet and is written as a means of communication, testimony to this are the cave paintings found in the Chauvet, Altamira or Lascaux caves; Throughout the centuries, art has manifested itself in different expressions such as architecture, music, literature, film, and the visual and audiovisual arts.
Artistic activity is materialized through works of art and in them meets all the requirements of artistic conception: metaphorical imagination, fidelity to the aesthetic ideal, truth in the representation of reality through generalization and typing, and the correspondence between form and artistic content.
Determining whether an object is a work of art or not is a problem that depends fundamentally on the establishment of criteria of universal validity and that is based on aesthetic judgment. Over time, the cataloging of human productions as works of art has been relegated to art critics, curators, and academic circles.
In the 20th century there were artists who rebelled against art and its peculiar mania for masterpieces of universal art. These artists sought provocation, making their behavior part of the artistic fact and, of course, the work of art. Movements such as Dadaism, Pop Art, and Conceptual Art judged the aesthetics and usefulness of objects, art, and all human creation in a general way.
